Warof the Worlds iLK21 LayarKaca21PG-13 Genre: Adventure, Science Fiction, ThrillerYear: 2005 Duration: 116 Min. Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop of his teenage son and young daughter for a rare weekend visit, a strange and powerful lightning storm touches down.
TRAILER 227 Play all videos What to know Though it's dated in spots, The War of the Worlds retains an unnerving power, updating Wells' classic sci-fi tale to the Cold War era and featuring some of the best special effects of any 1950s film. Read critic reviews The Flight of the Phoenix Rent/buy Rent/buy Subscription Rent/buy The War of the Worlds videos The War of the Worlds Trailer 1 TRAILER 227 The War of the Worlds Photos Movie Info Scientist Clayton Forrester Gene Barry and Sylvia Van Buren Ann Robinson are the first to arrive at the site of a meteorite crash. Soon after, an alien war machine emerges and begins killing at random. The Marines are called in, but they're no match for the aliens' force field. Forrester and Van Buren, however, are able to wound one of the creatures and procure a sample of its blood. They take it to Los Angeles where they hope, through testing, to be able to discover the aliens' weakness. Rating G Genre Sci-fi Original Language English Director Byron Haskin Producer George Pal Writer Barré Lyndon, Wells Release Date Theaters Aug 26, 1953 wide Release Date Streaming Jan 1, 2013 Runtime 1h 25m Distributor Paramount Pictures Production Co Paramount Pictures Sound Mix Stereo, Mono Aspect Ratio 35mm, Flat Cast & Crew News & Interviews for The War of the Worlds Critic Reviews for The War of the Worlds Audience Reviews for The War of the Worlds Jul 12, 2017 H. G. Wells The War of the Worlds is probably one of the most famous and influential science fiction stories in literature. The story has spawned films, radio dramas, TV adaptations, comic adaptations, videogames and even a record album. One of the lesser known works highly influenced by Wells work would be 'The Tripods' by John Christopher. This itself was adapted into a BBC TV series in 1984 which has since developed a strong cult following. Of course the most infamous adaptation was a live radio broadcast narrated by Orson Wells in 1938. The story was presented in a news broadcast fashion which in turn led to many many listeners actually thinking it was real. Can't blame them really, if you think about it back then the radio was all people had. No internet, very little television, and what was on TV would have been extremely limited. So if a serious sounding news bulletin comes on informing you about destruction from unidentified objects, chances are you'd believe it. But its this 1953 movie that is probably the most well known adaptation of Wells story the world over. Not only was this a loose but solid adaptation of the book, it was also an excellent science fiction film in its own right. For the time this movie was groundbreaking with its special effects, effects that earned the team an Academy Award in 1954. What is incredible is looking back you'd think the effects would be pretty hokey these days much like many sci-fi movies of the era, but surprisingly they still hold up relatively well. Of course the film is adorably cheesy and quaint, can't avoid that. The feature begins with the typically standard 1950's sci-fi narration accompanied with black and white stock footage. This footage shows us military technology as it progresses through the years, mainly through both world wars. It then cuts to colour with the movies title and then to a series of matte paintings of every known planet in our solar system. The narrator Sir Cedric Hardwicke informs us about each planet and its hostile environment, basically why the martian invaders would want Earth but how would the narrator know this? Is the movie a story being told to someone by the narrator? Is the whole ordeal a flashback?. Anyway my point being the film unfortunately still relies on stock footage but also includes some lovely matte paintings. The meat of the effects comes with the alien invaders themselves, although there were issues. Obviously for starters we all know the classic look of the Martian machines, huge towering tripods. Well at the time the effects crew had problems trying to create the three-legged machines so it was decided to alter the design. I have never really been happy with this look though, I realise there were technical limitations at the time so I'm not angry or anything, but the Martian machines just looked awful in my opinion. They essentially looked like a hovering, crescent shaped platform with a long periscope sticking out on top. They never really looked intimidating to me, more flimsy and fragile, and the green colour scheme was just ugly. To make matters worse in my humble opinion the effects team did actually include the tripod legs...only they were force field legs and invisible. If you strain hard enough you can actually see the imprints with a small pyrotechnic touch in the ground as the machines move. Alas these look more like small explosions from shells or whatever than imprints from tripod legs. You can also see the wires holding the machines up in some scenes, which was amusing. Indeed the chaos and destruction seen on the movies posters are well imagined in the film. The model Martian machines slowly hover down city streets some live action, some models, their wires quivering. At every opportunity they unleash their devastating heat-rays from their cobra shaped periscopic eyes. Brilliant flashes of white heat that reduce damn near everything to rubble. Oddly though, at first the heat-rays reduce military equipment, vehicles and men to either piles of white or black charred ash or just nothing at all. Yet when they take to the city streets the same doesn't seem to happen to buildings, they just crumble and catch fire. Theoretically there should be nothing left standing other than mounds of charred ash. Everything you see is a frantic blur of various effects such as superimposing, models, stock footage, matte paintings etc...That along with the terrific sounds effects for the alien weaponry think [i]Star Trek TOS[/i] photon torpedoes and you have some great sequences of action. The actual aliens themselves were a real achievement also. The level of detail on the rubber puppet was incredible for the time. It had veins, skin texture, skin folds, and it was moist which gave it a more realistic 'living' look. Sure they look silly now but considering this was all done in 53 its extremely impressive for the time. I think the one main visual flaw for me was the ridiculous looking, large three-hued red, green and blue eye they had. The actual shape of the aliens body, their short stocky torsos with long thin arms and three thin suction cup fingers, was all perfect, quite scary for the time. The sequence where Dr. Forrester Gene Barry and Sylvia van Buren Ann Robinson are holed up in an abandoned house, only to be met by one of the little aliens during the night, was executed excellently. I'm very sure that had viewers screaming back in the day. But alas that big colourful bug eye looked like a kids toy from the 80's. It was neat to give the aliens this unique vision, but the three coloured lens sections looked a bit daft to me. Of course this being 50's America you know it wouldn't take long before the Yanks would break out their Atomic weaponry. Although lets be fair here, the humans get their asses handed to them on a plate. But there is a really effective build in tension as the Americans blast the aliens with everything they have, including nukes. But still the Martian machines keep coming, protected by their amusing bell jar shaped force fields. Eventually the military leaders realise they cannot stop the invaders, the fate of the human race lies in Gods hands not literally. Its actually quite a haunting solemn moment. This again leads to another element of the film I don't really like. After getting separated the main duo Forrester and Buren meet up again in a church now in LA. The Martian machines loom down on the church as they tear through the streets, nothing can stand in their way, not even the house of God. But low and behold just before they are about to destroy the church, the alien crafts falter and come crashing down. Of course I'm sure everyone knows why now, but the fact that its implied there may have been divine intervention from up above that saved the Earth and that church is somewhat off-putting. The idea that bacteria infected and killed the Martians was always a brilliant move, genius. Its also perfectly normal to accept that if something like this did happen in reality, there would of course be a lot of religious rhetoric flying around no doubt. But to end this exceptional sci-fi on the notion that mankind was kinda saved by God just sours the fun. Whilst I recognise the brilliance of this film in everything it achieves, I can't quite bring myself to say its a perfect movie. Yes it is one of the greatest science fiction movies ever made and it does still hold up today, but the few issues I have with this adaptation I cannot ignore. I think the main peeve for me will always be the look of the Martian machines, I just can't stand the fact they don't have tripod legs. Any imagery you see of towering alien tripods is just so instantly recognisable and evocative, it pains me that they are absent in this film. Nevertheless there is a good balance between the action and exposition scenes. Its not bogged down and boring, its actually a really tense and eerie affair, and you do genuinely care about the main cast all of which do sterling work I might add. End of the day despite its small flaws, this is an absolute must see for all ages. Feb 11, 2012 Extremely dated with mind-numbingly wooden acting. Some of the special effects are kinda nice to look at but their is not enough set pieces to hide the thin and uninspired pseudo-documentary screenplay. The religious overtone that comes out of nowhere in the end is face-palmingly over-the-top. The characters are cardboard cut-outs and the pacing is slower than the flying saucers. The aliens look atrociously silly because of their eyes which look like glowing "Simon-Says" toys. Not quite sure why this dumb excuse for a popcorn flick is considered a classic. However I will give the movie credit, it gave me and my friends some great laughs. Super Reviewer Jan 20, 2011 It's a common complaint that American adaptations of British novels lose the quintessential nature of their source in favour of something more glossy and marketable. That's certainly true of The War of the Worlds, the first attempt to put H. G. Wells' iconic novel up on screen, and the first to come in the shadow of Orson Welles' ground-breaking radio play. It's not as tense as Welles' version, or as enjoyable as Steven Spielberg's take, but it is a perfectly passable adaptation with a number of strong points. The film starts off with our narrator played by English character actor Sir Cedric Hardwicke guiding us on a whistle-stop tour through the solar system. He explains the hostile nature of other planets' atmospheres, concluding that if the Martians should invade anywhere, it would have to be Earth. The Martians are presented as an intelligent race, and we are to some extent shown the build-up to the invasion from their point of view. Having started promisingly, it isn't long before some of the film's budgetary constraints become apparent. Like a lot of B-movies, the film is heavily reliant on stock footage during its bigger, more action-packed moments. Its re-use of the same shots of cannons firing and tanks rolling into battle make it seem like an ad campaign for the American army. In the middle of the film there is also a montage of destruction and chaos intercut with footage of the actors, a technique which would later be used to perfection in the opening sequence of Mad Max 2. On the other hand, we have the special effects of the aliens. This is the element which Byron Haskin and his team had to get right, and generally speaking, they did. The swan-shaped copper aliens were specifically designed not to resemble flying saucers, and in the wide shots especially they are pretty threatening. They are not, however, tripods as detailed in the book; rather than walking which is difficult to replicate mechanically, the war machines float via beams of blue light, which at the very least distract us from the wire work. But while the war machine designs are truly out of this world, the Martians themselves are disappointing human. The faces of the Martians, which are replicated in their periscopes, are made up of red, blue and green panels, which are arranged to vaguely resemble the outline of a human face - the red panel is at the bottom to denote a mouth, and the blue and green panels above it could easily be eyes. As is so often the case, the aliens in The War of the Worlds look most sinister from a distance - when a Martian touches our heroine on the shoulder, it's a bit pathetic. This version of The War of the Worlds deviates sharply from the novel in a number of ways, some interesting and successful, others less so. Most obviously, the action is relocated from 1890s Woking to 1950s California, and in doing so a lot of the substance of Wells' novel is lost. So much of the original story is about turning the accepted British political and social attitudes on their heads by portraying a war in which the British are the victims of an invasion rather than the conquerors. British imperialism, Herbert Spencer's natural selection and the 'English way of life' are all held under the microscope and shown to be ruthless and unjust. By transferring the story to America, as Welles had done, The War of the Worlds becomes more about the Cold War and American fears of 'Reds under the beds'. Some of this substance fits quite nicely around the original plot the Martians, who come from 'the Red planet', are demonstrated to be highly organised and efficient, and working collectively towards a single goal. But even as bald allegory goes, it's not as satisfying an examination of Communist threat as Invasion of the Body-Snatchers which itself is trumped by the 1970s version by Philip Kaufman. More frustratingly, the film makes big concessions to melodrama. We are required, for instance, to believe that Gene Barry is a famous and highly intelligent scientist, despite the fact that he looks every bit as chisel-jawed and rugged as Charlton Heston. When Ann Robinson's character questions him about this, he says that he shaved his beard off before coming to town and so no longer resembles his photo on the cover of Time. As laughable excuses go, it's up there with the line in The Hunt for Red October in which Sean Connery's unique accent is explained away by saying he is Lithuanian. Being an old Hollywood film, the role of women is, shall we say, restricted. Robinson is required to scream and be hysterical on cue, while all the men around here can be noble, restrained and carry out a plan of action. While the male leads dash around the bunker, planning their attack on the Martians, she is left to hand up cups of coffee; and after the couple have sheltered in a tumbledown house, she makes Barry his breakfast first thing in the morning. The film may not be as sexist as The Snows of Kilimanjaro, but it's hardly pushing the envelope when it comes to female roles. Despite these contrivances, however, we find ourselves bonding to these characters and staying with them for the course of the film. Although their introduction might be slightly silly, they are generally well-drawn and sympathetic. We certainly care about them enough to worry that they might get separated and never see each other again, as happens in the last twenty minutes when the film really girds its loins and shows human society on the verge of collapse. Critics of The War of the Worlds have written the story off as people running away for 90 minutes, but these scenes are both visually spectacular and emotionally engrossing. The film is at its most interesting when it taps into the characters trying to cope with the invasion and depicting the surrounding chaos. Aside from the street scenes in which men are turning on men and money has become worthless, there are a number of moments of genuine panic or alarm which stick in one's mind. The scene of the vicar wandering out to meet the Martians while reciting Psalm 23 will have you on edge, as will the feeling of desperation after the aliens survive an atomic bomb. As with all productions of The War of the Worlds, we eventually have to face one of the anticlimactic endings in literature. Having the aliens being killed by bacteria is a classic deus ex machina, drawing the action to a convenient close through a plot device which is deeply unsatisfying. But rather than go the way of The Blob or Invasion of the Body-Snatchers and leave us on a daring cliff-hanger, this adaptation takes the original ending and manages to fudge it further. Wells was a scientific socialist who believed in rational progress towards a better society. In the book, our narrator takes shelter with a priest who loses his mind and meets a sticky end the rational survive, the irrational do not. But Haskin and his screenwriter Barré Lyndon an obvious but witty pseudonym fudge this by inserting religious themes. Just before the Martians start falling out of the sky, the survivors are gathered in a church praying for a miracle. The narrator explains that "humanity was saved by the littlest things, which God, in His wisdom, had put upon this earth.". Suggesting after such carnage that God was involved all the time simply doesn't cut the mustard in this context. The War of the Worlds is perfectly passable tosh. It doesn't have the political balls or ambition of Orson Welles' version, and it deviates from its source so wildly that purists will be annoyed. But there is enough schlocky B-movie charm in it to entertain for its short running time, and those who are not fans of Spielberg's version will probably enjoy this more. It's nothing to write home about, but as 1950s B-movies go it has lasted and dated surprisingly well. Oct 30, 2010 I guess better late than never. Saw this for the first time 57 years after it was released. It was pretty amazing considering it was filmed in 1953. It is one of the classics. If it was filmed in the 21st century, I would not rate it as highly though. The story is short on content - and pretty optimistic if you are human. The Martians out-technology Earthlings, but our germs kill them. Of course, every 'good' movie needs a romance. But for its age, you should watch it. Super Reviewer Mislabeledat the National Archives as "WORLD WAR I FILMS, ca. 1941 - ca. 1945." National Archives Identifier: 13945. Addeddate 2013-11-19 18:32:25 Color color Identifier WorldWarIFilms DOWNLOAD OPTIONS download 1 file . H.264 download. download 1 file . ITEM TILE download. download 1 file . OGG VIDEO TRAILER 218 TRAILER 150 CLIP 213 CLIP 207 Play all videos What to know Steven Spielberg's adaptation of War of the Worlds delivers on the thrill and paranoia of Wells' classic novel while impressively updating the action and effects for modern audiences. Read critic reviews Pirates of the Caribbean The Curse of the Black Pearl Star Wars Episode III - Revenge of the Sith Rent/buy Rent/buy Subscription Rent/buy War of the Worlds videos War of the Worlds Trailer 2 TRAILER 218 War of the Worlds Trailer 1 TRAILER 150 War of the Worlds Official Clip - No Shield CLIP 213 War of the Worlds Official Clip - Ferry Disaster CLIP 207 War of the Worlds Official Clip - Probing the Basement CLIP 213 War of the Worlds Official Clip - The War Begins CLIP 211 War of the Worlds Official Clip - Fight on the Hill CLIP 207 War of the Worlds Official Clip - Taking Down a Tripod CLIP 200 War of the Worlds Official Clip - Not on the Same Page CLIP 212 War of the Worlds Official Clip - Abduction CLIP 213 War of the Worlds Photos Movie Info Dockworker Ray Ferrier Tom Cruise struggles to build a positive relationship with his two children, Rachel Dakota Fanning and Robbie Justin Chatwin. When his ex-wife, Mary Ann Miranda Otto, drops them off at Ferrier's house, it seems as though it will be just another tension-filled weekend. However, when electromagnetic pulses of lightning strike the area, the strange event turns out to be the beginning of an alien invasion, and Ferrier must now protect his children as they seek refuge. Rating PG-13 Frightening SequencesDisturbing ImagesSci-Fi Violence Genre Sci-fi, Adventure, Action Original Language English Director Steven Spielberg Producer Kathleen Kennedy, Colin Wilson Writer Wells, Josh Friedman, David Koepp Release Date Theaters Jun 29, 2005 wide Release Date Streaming Jun 28, 2005 Box Office Gross USA $ Runtime 1h 56m Distributor Paramount Pictures Production Co Paramount Pictures Sound Mix DTS, Surround, Dolby SRD, SDDS Aspect Ratio Flat Cast & Crew News & Interviews for War of the Worlds Critic Reviews for War of the Worlds Audience Reviews for War of the Worlds May 03, 2017 When one of the greatest filmmakers in history makes a science fiction film, which is one of his biggest strengths, you have no choice but to check it out. War of the Worlds is loosely based on the Wells novel of the same name, about a father and his children trying to cope with a global alien invasion. There have been so many of these alien invasion films over the years, so it's difficult for any of them to feel fresh and stick out to me. I think the one thing that separates this film from others is that Tom Cruise or any of the other actors aren't playing characters that fight the aliens, or "tripods" as they call them. It only makes up a matter of a few days following the first attack and the immediate aftermath. Because of that, Cruise is given more to do dramatically than per usual. He gets a few stunts and an action scene or two because why wouldn't you take advantage of his talent but it's much more about family than it is about anything else. In that regard, the film works most of the time. Cruise plays Ray Ferrier, father to both Rachel and Robbie. Not to intentionally quote another Cruise movie, but it's really knight and day with these kids. Dakota Fanning is perfectly cast as Rachel, a pre-teen who is terrified of the apocalyptic world she now lives in. However, I just couldn't get behind Justin Chatwin's performance and the character of Robbie. There were too many times in which I either felt the character was entirely unnecessary to the plot, or he kept the plot from moving forward in frustrating ways. Why does he all of a sudden feel the need to leave his family and join the Army's fight against the tripods? Makes no sense whatsoever. Unsurprisingly, Spielberg's visual flare is probably the film's biggest asset. Whether it's the endless amount of long takes, explosive and visceral alien action, or the impressive CGI and green screen work, War of the Worlds is a gorgeous film to look at. If every aspect of the film was as good as the visuals, this could have been quite the adaptation. Bottom line, I like everything visually and some of the performances very much, but the last 20 minutes is a bit of a letdown, as is the constant annoyance of the Robbie character. +Visuals +Dakota is magnificent -Annoying older brother Super Reviewer Jun 26, 2016 The special FX were good, the acting is quite okay but still, you can't go wrong with Spielberg except from Hook. Super Reviewer Apr 12, 2013 The Wells classic War of the Worlds is remade yet again, this time by Steven Spielberg. Unfortunately Spielberg brings nothing to the table, offering no new insight or perspective on the material. The special effects and battle sequences are amazing, but the storytelling is weak and does a poor job at capturing the impact and tragedy of this epic tale of survival. The characters are also poorly written, and are rather unsympathetic. Dakota Fanning manages to deliver a strong performance, while Tom Cruise is serviceable. Though the action and special effects are impressive, Spielberg's War of the Worlds is a superficial film with no depth or meaning. Super Reviewer Nov 30, 2012 [img] Wow, if there is one director who can deliver an epic scale popcorn movie. It's Spielberg. I think he is consistently at his best when he's delivering us these massive, overwhelming blockbusters that genuinely display his intricate skill for the camerawork, lighting and atmospherics, simply the best of Hollywood film making. I believe his adaptation of Well's deeply profound novel is one of the most under rated film's of the 2000's. I dont really need to point out that this version changes a lot from it's source material. But I think that "War" is a partly unfilmable book. In my opinion, the real genius in what made the book work in literal terms cannot be faithfully replicated onto the screen. There's a whole lot of underlying politics in the paranoid obsessive book. But there's an incredible amount of awe inspiring spectacle that touches your imagination too. In the film there's a lot of the monumentally captivating flare and a little bit of the deeper meanings, the thing that's made fans of the novel rant on how much they hate this film is the change in setting, among countless other things. For film fans it's dismissed for the apparant "cop out" ending. But that's how it's supposed to end. For cinema, that ending for a lot of people doesn't work but the focus on action doesn't work for hardcore fanatics of the source. Now personally, I saw some real darkness in that ending, resultingly, Spielberg delivered a solid, action packed, light hearted popcorn flick but also stayed faithful to the novel in some fashion. He successfully positioned this disaster epic on the fine line of appreciating the complexities of the novel but also gave us a return to sci fi- horror B movie form. For that, hats off to him and his writers. Terrfying aliens, an under stated performance by lead Tom Cruise who is as engaging as ever, a good script, it's cut to the chase, easy well polished fun. Putting the annoying Hollywood cliches and moments of poor storytelling aside, I am a proud fan of the new War of the Worlds. Super Reviewer Nontondan Download Film War of the Worlds: Annihilation (2021) Subtitle Indonesia 44 votes, average 5.2 out of 10 Seorang ibu dan anak menemukan diri mereka dihadapkan dengan invasi alien brutal di mana kelangsungan hidup akan tergantung pada menemukan kebenaran yang tak terpikirkan tentang musuh.Cast & crewUser reviewsTrivia2005PG-131h 56mAn alien invasion threatens the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for alien invasion threatens the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for alien invasion threatens the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for production, box office & company infoVideos5More like thisReview 2 most annoying kid actors everI love the book and overall theme of the movie but Tom Cruise acting is annoying which is probably because he had to work with 2 most annoying kid actors ever seen on the film. I mean almost every scene is ruined by hysterical yelling of the 3 main characters. Little girl is the worst but Tom and his movie son are not far mean it's watchable but by the middle of the movie I was hoping aliens will take them down so we don't have to suffer this atrocity of actingtiberijegrozniNov 30, 2019Movie and TV Reboots and RemakesMovie and TV Reboots and RemakesTake a side-by-side look at some of Hollywood's biggest reboots and the galleryFAQ40Contribute to this pageSuggest an edit or add missing contentEdit pageMore to explore
Anillustration of two cells of a film strip. Video. An illustration of an audio speaker. Audio. An illustration of a 3.5" floppy disk. War Of The Worlds Movies Preview download 1 file . H.264 download. download 1 fileHome » Adventure » Nonton Online War of the Worlds Sub Indo Streaming Movie 21 War of the Worlds iLK21 LayarKaca21Year 2005Duration 116 Min1839 votes, average out of 10 Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop of his teenage son and young daughter for a rare weekend visit, a strange and powerful lightning storm touches down. TaglineThey’re already here. Release23 Jun 2005 LanguageEnglish Budget$ Revenue$ CastAnn Robinson, Camillia Sanes, Channing Tatum, Dakota Fanning, Daniel Eric Gold, David Alan Basche, Dempsey Pappion, Gene Barry, John Eddins, John Scurti, Justin Chatwin, Lenny Venito, Lisa Ann Walter, Marlon Young, Miranda Otto, Morgan Freeman, Rick Gonzalez, Roz Abrams, Takayo Fischer, Tim Robbins, Tom Cruise, Yul Vazquez
NontonStreaming & Download Film War of the Worlds: Goliath (2012) Subtitle Indonesia Full Movie Bluray Gratis Via Google Drive Online LK21 360p 480p 720p 1080p.
The highly-anticipated official trailer for The Expendables 4 has been released and fans can expected immediately off the bat an abundance of action. The fourth installment hopes to bring the continued success of the franchise to the world. In the past, the franchise grossed over $804 million USD globally. This upcoming film will reintroduce audiences to the titular characters — Sylvester Stallone as Barney Ross, Jason Statham as Lee Christmas, Dolph Lundgren as Gunner Jensen and Randy Couture as Toll Road. The group of elite mercenaries have once again teamed up for the fourth film, banding together to try to prevent a World War III from happening. Heavily armed and with experienced skills, the four are the last line of defense to protect the world. The fourth film will see new members join the team with their different fighting tactics and styles. Newcomers to the franchise include 50 Cent, Megan Fox, Tony Jaa, Iko Uwais, Jacob Scipio, Levy Tran and Andy Garcia. Statham joins Kevin King-Templeton, Les Weldon and Yariv Lerner as a producer on the film, while the script is penned by Kurt Wimmer & Tad Daggerhart and Max Adams. The plot line is based on a story by Spenser Cohen and Wimmer & Daggerhart. Scott Waugh helms the film as the director. The Expendables 4 releases in theaters on September 22. In other entertainment news, here is a first look at Zack Snyder’s upcoming Netflix film, “Rebel Moon.”NontonStreaming Download Drama War of the Worlds 2: The Next Wave (2008) Subtitle Indonesia. R Genre: Action, Adventure, Science Fiction. Kualitas: HD Tahun: 2008 Durasi: 90 Menit Dilihat: 1.277 views. 26 voting, rata-rata 3,5 dari 10.
